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Elevator Music

Elevator Music PDF
Author: Joseph Lanza
Publisher: University of Michigan Press
ISBN: 0472089420
Size: 52.90 MB
Format: PDF, Mobi
Category : Music
Languages : en
Pages : 329
View: 1127

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It's campy, it's cool, empty, intrusive, trite, and treacly. It's Big Brother singing. Call it what you will -- elevator music, Moodsong ® easy listening, or Muzak ®. For a musical genre that was supposed to offend no one, it has a lot of enemies. Musical cognoscenti decry its insipid content; regular folk -- if they notice -- bemoan its pervasiveness; while hipsters and campsters celebrate its retro chic. Mindful of the many voices, Joseph Lanza's Elevator Music sings seriously, with tongue in cheek, the praises of this venerable American institution. Lanza addresses the criticisms of elites who say that Muzak and its ilk are dehumanized, vapid, or cheesy. These reactions, he argues, are based more on cultural prejudices than honest musical appraisal. Says Lanza, today's so-called mood music is the inheritor of a long tradition of mood-altering music stretching back to the ancients; Nero's fiddle and the sirens of Odysseus being two famous examples. Contemporary atmospheric music, Lanza argues, not only serves the same purpose, it is also the inevitable background for our media-dominated age. One of Lanza's premises, to quote Mark Twain, is that this music is "better than it sounds." "This book will have succeeded in its purpose," he writes, "if I can help efface...the distinction between one person's elevator music and another's prized recording." Joseph Lanza is an author, producer, and music historian. His most recent book is Russ Columbo and the Crooner Mystique.

Kohn On Music Licensing

Kohn on Music Licensing PDF
Author: Al Kohn
Publisher: Bob Kohn
ISBN: 073551447X
Size: 11.48 MB
Format: PDF, ePub, Mobi
Category : Law
Languages : en
Pages : 1636
View: 3513

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When seeking to clear music rights for products and performances, let the authors, who have over 50 years of hands-on experience, take you through the entire licensing process, step-by-step. In clear, coherent language, they provide detailed explanations of the many kinds of music licenses, identify the critical issues addressed in each, and offer valuable strategy and guidance to both rights owners and prospective licensees.Kohn on Music Licensing, Third Edition covers:Licensing for computer software and in multimedia and new media products Licensing music and sound recordings in cyberspace Music publishinginternational sub-publishingCo-publishing and administrative agreements and songwriter agreementsProven tips and suggestions, along with the most up-to-date analysis, are given for virtually all the areas of music licensing including: How to 'clear' a licenseCopyright renewalNegotiating feesAnd moreTurn to this valuable resource for more than 70 forms and license agreements, including many new ones, available on the companion CD-ROM, searchable by caption, topic, or keyword.

New York Magazine

New York Magazine PDF
Author:
Publisher:
ISBN:
Size: 22.21 MB
Format: PDF
Category :
Languages : en
Pages : 140
View: 3959

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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Space And Spatialization In Contemporary Music History And Analysis Ideas And Implementations

Space and Spatialization in Contemporary Music  History and Analysis  Ideas and Implementations PDF
Author: Maria Anna Harley
Publisher: Lulu.com
ISBN: 0996398163
Size: 46.77 MB
Format: PDF, Mobi
Category :
Languages : en
Pages : 391
View: 1042

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This dissertation presents the history of space in the musical thought of the 20th­ century (from Kurth to Clifton, from Varese to Xenakis) and outlines the development of spatialization in the theory and practice of contemporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden's notion of the musical work; a typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the composers's writings (lves, Boulez, Stockhausen, Cage, etc.) and an examination of their works. The final part presents three unique approaches to spatialization: Brant's simultaneity of sound layers, Xenakis's movement of sound, and Schafer's music of ritual and soundscape.

Elevator Music

Elevator Music PDF
Author: Joseph Lanza
Publisher:
ISBN: 9780704302266
Size: 66.23 MB
Format: PDF, ePub, Mobi
Category : Environmental music
Languages : en
Pages : 280
View: 2920

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It's campy, it's cool, empty, intrusive, trite, and treacly. It's Big Brother singing. Call it what you will -- elevator music, Moodsong (R) easy listening, or Muzak (R). For a musical genre that was supposed to offend no one, it has a lot of enemies. Musical cognoscenti decry its insipid content; regular folk -- if they notice -- bemoan its pervasiveness; while hipsters and campsters celebrate its retro chic. Mindful of the many voices, Joseph Lanza's Elevator Music sings seriously, with tongue in cheek, the praises of this venerable American institution. Lanza addresses the criticisms of elites who say that Muzak and its ilk are dehumanized, vapid, or cheesy. These reactions, he argues, are based more on cultural prejudices than honest musical appraisal. Says Lanza, today's so-called mood music is the inheritor of a long tradition of mood-altering music stretching back to the ancients; Nero's fiddle and the sirens of Odysseus being two famous examples. Contemporary atmospheric music, Lanza argues, not only serves the same purpose, it is also the inevitable background for our media-dominated age. One of Lanza's premises, to quote Mark Twain, is that this music is "better than it sounds." "This book will have succeeded in its purpose," he writes, "if I can help efface...the distinction between one person's elevator music and another's prized recording." Joseph Lanza is an author, producer, and music historian. His most recent book is "Russ Columbo and the Crooner Mystique."

Brian Eno S Ambient 1 Music For Airports

Brian Eno s Ambient 1  Music for Airports PDF
Author: John T. Lysaker
Publisher: Oxford University Press
ISBN: 0190497327
Size: 16.57 MB
Format: PDF, ePub, Docs
Category : Music
Languages : en
Pages : 128
View: 6122

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Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.

Historical Dictionary Of Popular Music

Historical Dictionary of Popular Music PDF
Author: Norman Abjorensen
Publisher: Rowman & Littlefield
ISBN: 1538102153
Size: 46.36 MB
Format: PDF, ePub
Category : Music
Languages : en
Pages : 694
View: 6153

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The Historical Dictionary of Popular Music contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on major figures across genres, definitions of genres, technical innovations and surveys of countries and regions.

Elevator Music

Elevator Music PDF
Author: Warner D. Conarton
Publisher:
ISBN:
Size: 80.44 MB
Format: PDF
Category :
Languages : en
Pages :
View: 6696

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Cmj New Music Monthly

CMJ New Music Monthly PDF
Author:
Publisher:
ISBN:
Size: 80.48 MB
Format: PDF, Kindle
Category :
Languages : en
Pages : 64
View: 5710

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CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.

Ambient Commons

Ambient Commons PDF
Author: Malcolm McCullough
Publisher: MIT Press
ISBN: 0262528398
Size: 73.91 MB
Format: PDF, ePub, Mobi
Category : Computers
Languages : en
Pages : 368
View: 3804

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On rediscovering surroundings when information goes everywhere.