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Reading Race In American Poetry

Reading Race in American Poetry PDF
Author: Aldon Lynn Nielsen
Publisher: University of Illinois Press
ISBN: 9780252068324
Size: 30.96 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 232
View: 5255

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Here, inter-racial poets and critics join together to analyze the role that race plays in the reading and writing of American poetry, and the role that poetry plays in our understanding of race.

Evolution And Eugenics In American Literature And Culture 1880 1940

Evolution and Eugenics in American Literature and Culture  1880 1940 PDF
Author: Lois A.. Cuddy
Publisher: Bucknell University Press
ISBN: 9780838755556
Size: 49.51 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 285
View: 4845

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Charles Darwin's theory of descent suggested that man is trapped by biological determinism and environment, which requires the fittest specimens to struggle and adapt without benefit of God in order to survive. Tthis volume focusses on how American literature appropriated and aesthetically transformed this, and related, theories.

Richard Wright

Richard Wright PDF
Author: Keneth Kinnamon
Publisher: McFarland
ISBN: 1476609128
Size: 12.91 MB
Format: PDF, ePub
Category : Literary Criticism
Languages : en
Pages : 499
View: 7776

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African-American writer Richard Wright (1908–1960) was celebrated during the early 1940s for his searing autobiography (Black Boy) and fiction (Native Son). By 1947 he felt so unwelcome in his homeland that he exiled himself and his family in Paris. But his writings changed American culture forever, and today they are mainstays of literature and composition classes. He and his works are also the subjects of numerous critical essays and commentaries by contemporary writers. This volume presents a comprehensive annotated bibliography of those essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism. Also included as an appendix are addenda to the author’s earlier bibliography covering the years from 1934 through 1982. This is the exhaustive reference for serious students of Richard Wright and his critics.

American Women Poets In The 21st Century

American Women Poets in the 21st Century PDF
Author: Claudia Rankine
Publisher: Wesleyan University Press
ISBN: 0819574449
Size: 57.80 MB
Format: PDF
Category : Poetry
Languages : en
Pages : 452
View: 1809

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Poetry in America is flourishing in this new millennium and asking serious questions of itself: Is writing marked by gender and if so, how? What does it mean to be experimental? How can lyric forms be authentic? This volume builds on the energetic tensions inherent in these questions, focusing on ten major American women poets whose collective work shows an incredible range of poetic practice. Each section of the book is devoted to a single poet and contains new poems; a brief "statement of poetics" by the poet herself in which she explores the forces — personal, aesthetic, political — informing her creative work; a critical essay on the poet's work; a biographical statement; and a bibliography listing works by and about the poet. Underscoring the dynamic give and take between poets and the culture at large, this anthology is indispensable for anyone interested in poetry, gender and the creative process. CONTRIBUTORS: Rae Armantrout, Mei-mei Berssenbrugge, Lucie Brock Broido, Jorie Graham, Barbara Guest, Lyn Hejinian, Brenda Hillman, Susan Howe, Ann Lauterbach, Harryette Mullen.

American Hybrid Poetics

American Hybrid Poetics PDF
Author: Amy Moorman Robbins
Publisher: Rutgers University Press
ISBN: 0813564662
Size: 11.16 MB
Format: PDF, ePub
Category : Literary Criticism
Languages : en
Pages : 188
View: 7081

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American Hybrid Poetics explores the ways in which hybrid poetics—a playful mixing of disparate formal and aesthetic strategies—have been the driving force in the work of a historically and culturally diverse group of women poets who are part of a robust tradition in contesting the dominant cultural order. Amy Moorman Robbins examines the ways in which five poets—Gertrude Stein, Laura Mullen, Alice Notley, Harryette Mullen, and Claudia Rankine—use hybridity as an implicitly political strategy to interrupt mainstream American language, literary genres, and visual culture, and expose the ways in which mass culture in the twentieth and twenty-first centuries has had a powerfully standardizing impact on the collective American imagination. By forcing encounters between incompatible traditions—consumer culture with the avant-garde, low culture forms with experimental poetics, prose poetry with linguistic subversiveness—these poets bring together radically competing ideologies and highlight their implications for lived experience. Robbins argues that it is precisely because these poets have mixed forms that their work has gone largely unnoticed by leading members and critics in experimental poetry circles.

The Oxford Handbook Of Modern And Contemporary American Poetry

The Oxford Handbook of Modern and Contemporary American Poetry PDF
Author: Cary Nelson
Publisher: Oxford University Press
ISBN: 019020415X
Size: 61.93 MB
Format: PDF, ePub, Docs
Category : American poetry
Languages : en
Pages : 734
View: 5804

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The Oxford Handbook of Modern and Contemporary American Poetry gives readers a cutting-edge introduction to the kaleidoscopic world of American poetry over the last century. Offering a comprehensive approach to the debates that have defined the study of American verse, the twenty-five original essays contained herein take up a wide array of topics: the influence of jazz on the Beats and beyond; European and surrealist influences on style; poetics of the disenfranchised; religion and the national epic; antiwar and dissent poetry; the AIDS epidemic; digital innovations; transnationalism; hip hop; and more. Alongside these topics, major interpretive perspectives such as Marxist, psychoanalytic, disability, queer, and ecocritcal are incorporated. Throughout, the names that have shaped American poetry in the period--Ezra Pound, Wallace Stevens, Marianne Moore, Mina Loy, Sterling Brown, Hart Crane, William Carlos Williams, Posey, Langston Hughes, Allen Ginsberg, John Ashbery, Rae Armantrout, Larry Eigner, and others--serve as touchstones along the tour of the poetic landscape.

The Word In Black And White

The Word in Black and White PDF
Author: Dana D. Nelson
Publisher: Oxford University Press
ISBN: 9780195362145
Size: 37.32 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 208
View: 1648

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Dana Nelson provides a study of the ways in which Anglo-American authors constructed "race" in their works from the time of the first British colonists through the period of the Civil War. She focuses on some eleven texts, ranging from widely-known to little-considered, that deal with the relations among Native, African, and Anglo-Americans, and places her readings in the historical, social, and material contexts of an evolving U.S. colonialism and internal imperialism. Nelson shows how a novel such as The Last of the Mohicans sought to reify the Anglo historical past and simultaneously suggested strategies that would serve Anglo-Americans against Native Americans as the frontier pushed farther west. Concluding her work with a reading of Harriet Jacobs's Incidents in the Life of a Slave Girl, Nelson shows how that text undercuts the racist structures of the pre-Civil War period by positing a revised model of sympathy that authorizes alternative cultural perspectives and requires Anglo-Americans to question their own involvement with racism.

The Word In Black And White

The Word in Black and White PDF
Author: Dana D. Nelson
Publisher: Oxford University Press on Demand
ISBN: 0195065921
Size: 77.35 MB
Format: PDF, Mobi
Category : Education
Languages : en
Pages : 189
View: 7649

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Nelson provides a study of the ways in which Anglo-American authors constructed "race" in their works from the time of the first British colonists through the period of the Civil War. She focuses on some eleven texts, ranging from widely-known to little-considered, that deal with the relations among Native, African, and Anglo-Americans, and places her readings in the historical, social, and material contexts of an evolving U.S. colonialism and internal imperialism. Nelson shows how a novel such as The Last of the Mohicans sought to reify the Anglo historical past and simultaneously suggested strategies that would serve Anglo-Americans against Native Americans as the frontier pushed further west. Concluding her work with a reading of Harriet Jacobs's Incidents in the Life of a Slave Girl Nelson shows how that text undercuts the racist structures of the pre-Civil War period by positing a revised model of sympathy that authorizes alternative cultural perspectives and requires Anglo-Americans to question their own involvement with racism.

Male Subjectivity And Poetic Form In New American Poetry

Male Subjectivity and Poetic Form in  New American  Poetry PDF
Author: A. Mossin
Publisher: Springer
ISBN: 0230106803
Size: 58.12 MB
Format: PDF, Mobi
Category : Literary Criticism
Languages : en
Pages : 235
View: 3282

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Focusing in particular on pairings of writers within the larger grouping of poets, this book suggests how literary partnerships became pivotal to American poets in the wake of Donald Allen's 'New American Poetry' anthology.

Poets In The Public Sphere

Poets in the Public Sphere PDF
Author: Paula Bernat Bennett
Publisher: Princeton University Press
ISBN: 0691227705
Size: 13.84 MB
Format: PDF, Mobi
Category : Literary Criticism
Languages : en
Pages : 288
View: 6913

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Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.

Twentieth Century American Poetry

Twentieth Century American Poetry PDF
Author: Christopher MacGowan
Publisher: John Wiley & Sons
ISBN: 0470779799
Size: 37.90 MB
Format: PDF, ePub, Mobi
Category : Literary Criticism
Languages : en
Pages : 352
View: 2026

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Written by a leading authority on William Carlos Williams, this book provides a wide-ranging and stimulating guide to twentieth-century American poetry. A wide-ranging and stimulating critical guide to twentieth-century American poetry. Written by a leading authority on the innovative modernist poet, William Carlos Williams. Explores the material, historical and social contexts in which twentieth-century American poetry was produced. Includes a biographical dictionary of major writers with extended entries on poets ranging from Robert Frost to Adrienne Rich. Contains a section on key texts considering major works, such as ‘The Waste Land’, ‘North & South’, ‘Howl’ and ‘Ariel’. The final section draws out key themes, such as American poetry, politics and war, and the process of anthologizing at the end of the century.

Krieg Und Literatur War And Literature Vol Ix 2003

Krieg und Literatur   War and Literature Vol  IX 2003 PDF
Author: Claudia Glunz
Publisher: V&R unipress GmbH
ISBN: 3899712048
Size: 62.32 MB
Format: PDF
Category : History
Languages : de
Pages : 240
View: 1849

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English summary: The contributions to this volume range from eye witness reports on 11th September, 2001 back to the wars of the 17th century. The volume includes a study of the mass media presentation of the contemporary myth about the "achievements" of the naval cruiser "Emden" in the First World War, analyses of Max Frisch's "The Chinese Wall" ("Die Chinesische Mauer") and works by Pat Barker. The volume offers a diversity of approaches and nevertheless only represents a small spectrum in the range of possible topics. It is completed by critical reviews of recent publications and a bibliography of academic publications from the year 2005. German & English text. German description: Augenzeugenberichte zum 11. September 2001 und zu den Kriegen des 17. Jahrhunderts spannen den Bogen der Beitrage des vorliegenden Bandes. Eine Untersuchung der massenmedialen Darstellung der Taten des Kreuzers Emden im Ersten Weltkrieg - eine der zeitgenossischen Mythen - steht neben Analysen von Max Frischs Die Chinesische Mauer und den Schriften Pat Barkers. Der Band zeichnet sich durch eine Vielfalt von Ansatzen aus und reprasentiert dennoch nur ein kleines Spektrum der Bandbreite moglicher Themen. Erganzt werden die Beitrage durch Rezensionen zu einschlagigen Neuerscheinungen sowie durch eine Bibliographie wissenschaftlicher Publikationen aus dem Jahr 2005.

Reading Without Maps

Reading Without Maps  PDF
Author: Den Tandt Christophe (ed.)
Publisher: Peter Lang
ISBN: 9789052012834
Size: 48.23 MB
Format: PDF
Category : Literary Criticism
Languages : en
Pages : 408
View: 5944

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Among the intellectual debates of the last forty years, the critique of cultural canons has attracted the highest share of public attention, stirring academic, educational, and media controversies on both sides of the Atlantic. Postmodernism, feminism, postcolonialism, and multiculturalism have refashioned the attitudes of educators and audiences towards cultural memory, opening up curricula to subjects and traditions previously excluded from the humanities. Predictably, these new critical practices have triggered heated responses from commentators fearing that culture and education might thereby be deprived of their capacity to provide audiences and learners with proper groundings and landmarks. The present volume gathers contributions that throw light on multiple aspects of this reconfiguration of cultural memory. It brings together essays focusing on the dynamics of canon formation in several fields - literature, drama, film, and music. Contributors examine how writers and communities find their bearings in a cultural landscape more complex than that previously envisaged by advocates of the Great Tradition. Specifically, the present essays throw light on the status of modernist writing, drama in English, or popular genres within the new canonical topography elaborated at the turn of the twenty-first century.

Race Mixture In Nineteenth Century U S And Spanish American Fictions

Race Mixture in Nineteenth Century U S  and Spanish American Fictions PDF
Author: Debra J. Rosenthal
Publisher: Univ of North Carolina Press
ISBN: 0807875953
Size: 32.78 MB
Format: PDF
Category : Literary Criticism
Languages : en
Pages : 192
View: 5994

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Race mixture has played a formative role in the history of the Americas, from the western expansion of the United States to the political consolidation of emerging nations in Latin America. Debra J. Rosenthal examines nineteenth-century authors in the United States and Spanish America who struggled to give voice to these contemporary dilemmas about interracial sexual and cultural mixing. Rosenthal argues that many literary representations of intimacy or sex took on political dimensions, whether advocating assimilation or miscegenation or defending the status quo. She also examines the degree to which novelists reacted to beliefs about skin differences, blood taboos, incest, desire, or inheritance laws. Rosenthal discusses U.S. authors such as James Fenimore Cooper, Catharine Maria Sedgwick, Walt Whitman, William Dean Howells, and Lydia Maria Child as well as contemporary novelists from Cuba, Peru, and Ecuador, such as Gertrudis Gomez de Avellaneda, Clorinda Matto de Turner, and Juan Leon Mera. With her multinational approach, Rosenthal explores the significance of racial hybridity to national and literary identity and participates in the wider scholarly effort to broaden critical discussions about America to include the Americas.

The Great American Songbooks

The Great American Songbooks PDF
Author: T. Austin Graham
Publisher: Oxford University Press
ISBN: 0199862117
Size: 76.70 MB
Format: PDF, ePub, Docs
Category : History
Languages : en
Pages : 293
View: 1027

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The Great American Songbooks shows how popular music shapes and permeates a host of modernism's hallmark texts. Austin Graham begins his study of 20th-century texts with a discussion of American popular music and literature in the 19th century. He posits Walt Whitman as a proto-modernist who drew on his love of opera to create the epic free-verse poetry that would heavily influence his bardic successors. One can witness this in T. S. Eliot, whose poem The Waste Land relies on Whitman's verse style to emphasize how 19th-century structures of feeling regarding music persist into the 20th century. From opera and standards of the Victorian musical hall, Graham moves to the blues to reveal the multifaceted ways it shaped works in the Harlem Renaissance, most notably in the verse of Langston Hughes and Jean Toomer's stream-of-consciousness masterpiece, Cane. The second half of Songbooks advances an argument for a musical eclecticism that arose alongside rapid industrialization. Writers like Scott Fitzgerald and John Dos Passos, Graham argues, developed a notion of musical eclecticism to help them process—or cope—with the unprecedented invasiveness of popular music, particularly in major cities. This eclecticism runs counter to critics like Adorno who equate popular music with mass produced mechanisms such as the phonograph and radio, and thus with degraded, cultural forms. In conclusion, Graham suggests how modernist writers experienced, and sometimes theorized, a more nuanced, sophisticated, and fluid mode of interaction with popular music.