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The Cinema Of Todd Haynes

The Cinema of Todd Haynes PDF
Author: James Morrison
Publisher: Wallflower Press
ISBN: 9781904764779
Size: 77.62 MB
Format: PDF, ePub, Mobi
Category : Biography & Autobiography
Languages : en
Pages : 181
View: 967

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Todd Haynes has emerged from the trenches of independent American film in the 1990s to become one of the twenty-first century's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nominated Far from Heaven (2002). Along the way, it covers such landmark films as Poison (1991), Safe (1995), and Velvet Goldmine (1998). Contributors look at these films from a variety of angles, including his debts to the avant-garde and such noted precursors as Rainer Werner Fassbinder; his adventurous uses of melodrama; and his incisive portrayals of contemporary life.

Todd Haynes

Todd Haynes PDF
Author: Rob White
Publisher: University of Illinois Press
ISBN: 0252037561
Size: 24.60 MB
Format: PDF
Category : Biography & Autobiography
Languages : en
Pages : 176
View: 4064

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Rob Whites highly readable book, which includes a major new interview with Haynes, is the first comprehensive study of the directors work.

Todd Haynes

Todd Haynes PDF
Author: Julia Leyda
Publisher: Univ. Press of Mississippi
ISBN: 1626741387
Size: 77.84 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 240
View: 6702

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A pioneer of the New Queer Cinema, Todd Haynes (b. 1961) is a leading American independent filmmaker. Whether working with talking dolls in a homemade short (Superstar: The Karen Carpenter Story) or with Oscar-winning performers in an HBO miniseries (Mildred Pierce), Haynes has garnered numerous awards and nominations and an expanding fan base for his provocative and engaging work. In all his films, Haynes works to portray the struggles of characters in conflict with the norms of society. Many of his movies focus on female characters, drawing inspiration from genres such as the woman’s film and the disease movie (Far from Heaven and Safe); others explore male characters who transgress sexual and other social conventions (Poison and Velvet Goldmine). The writer-director has drawn on figures such as Karen Carpenter, David Bowie, Iggy Pop, and Bob Dylan in his meditations on American and British music, celebrity, and the meaning of identity. His 2007 movie I’m Not There won a number of awards and was notable for Haynes’s decision to cast six different actors (one of whom was a woman) to portray Dylan. Gathering interviews from 1989 through 2012, this collection presents a range of themes, films, and moments in the burgeoning career of Todd Haynes.

Far From Heaven

Far From Heaven PDF
Author: John Gill
Publisher: Bloomsbury Publishing
ISBN: 1844575659
Size: 24.58 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 112
View: 5976

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Todd Haynes's 2002 film Far From Heaven has been hailed as a homage to 1950s Hollywood melodrama, although anyone tempted to take the film at face value should be warned that it aims to subvert as much as celebrate that genre. Impeccably constructed, with a care for detail unknown in films from the era, it sets out to make key themes from the genre – romance across racial barriers and class lines, and perhaps the period's greatest taboo, romance between members of the same sex – utterly explicit, when half a century ago those themes had to be encoded in allusion and metaphor. Haynes took as his main source Douglas Sirk's 1955 classic, All That Heaven Allows, although Far From Heaven also references Rainer Werner Fassbinder's bleak portrayal of inter-racial love, Fear Eats the Soul (1974). In the context of Haynes's background in the New Queer Cinema movement, with films such as Superstar, Poison and [safe], this admixture makes Far From Heaven a rather more complex film than just another well-dressed period pastiche. John Gill provides a revealing insight into how Haynes confronts issues of race, sexuality and class in a suburban 1950s American neighbourhood. Haynes has been evasive when pressed for a definitive explanation of his film, although as Gill contends, he has left enough evidence lying around on screen for the keen viewer to pick up on numerous disturbing strands at work beneath the glossy surface of this sumptuously presented weepie. While it may affect to pass as a classic of the genre, Haynes's ultimate aim, Gill contends, is to undermine the nature and notion of cinema and storytelling.

Velvet Goldmine

Velvet Goldmine PDF
Author:
Publisher:
ISBN:
Size: 66.75 MB
Format: PDF, Mobi
Category :
Languages : en
Pages :
View: 3727

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Far From Heaven

Far from Heaven PDF
Author: Glyn Davis
Publisher: Edinburgh University Press
ISBN: 0748647023
Size: 58.35 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 168
View: 2821

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Nominated for four Oscars, Far from Heaven earned rave reviews and won widespread cultural and critical recognition. A knowing and emotionally involving homage to the films of Douglas Sirk, this film is a key text in the canon of American independent cinema.This book offers a detailed and perceptive study of Haynes' film, with each chapter centred on a topic crucial for understanding Far from Heaven's richness and seductive pleasures (authorship, melodrama, queerness). The film is also positioned in relation to the rest of Todd Haynes' work, the New Queer Cinema movement, and the history of US independent cinema.

Zur Anwendung Des Phantasmatisch Transzendentalen Modus In Velvet Goldmine

Zur Anwendung Des Phantasmatisch Transzendentalen Modus in Velvet Goldmine PDF
Author: Andreas Schwarz
Publisher: GRIN Verlag
ISBN: 3656100241
Size: 14.61 MB
Format: PDF, Mobi
Category :
Languages : de
Pages : 32
View: 6042

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Studienarbeit aus dem Jahr 2009 im Fachbereich Filmwissenschaft, Note: 1,0, Freie Universitat Berlin, Sprache: Deutsch, Abstract: In seinem Aufsatz Traumatic Postmodern Histories: Velvet Goldmine's Phantasmatic Testimonies widmet sich Autor Edward R. O'Neill der Problemstellung des Erfassens von Geschichte in der Postmoderne. O'Neills Ausfuhrungen zeichnen zwei Extreme von filmischer Historiografie als Moglichkeiten bzw. Gegenpole auf einer Achse - der historistische Revisionismus gegen das von ihm identifizierte Modell des phantasmatisch-transzendentalen Modus. Diese Hausarbeit soll sein Modell in Abgrenzung zum Gegenpol darstellen, Aspekte der Schlusselbegriffe Trauma, Zeugnis und Fantasie einbeziehen und das Gesagte am Film Velvet Goldmine (R: Todd Haynes, USA 1998) diskutieren, welcher auch von O'Neill selbst als ein Beispiel genutzt wird."

Gay Directors Gay Films

Gay Directors  Gay Films  PDF
Author: Emanuel Levy
Publisher: Columbia University Press
ISBN: 0231526539
Size: 13.27 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 392
View: 6800

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Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.

Far From Heaven Safe And Superstar

Far from Heaven  Safe  and Superstar PDF
Author: Todd Haynes
Publisher: Grove/Atlantic, Inc.
ISBN: 1555847773
Size: 67.29 MB
Format: PDF
Category : Performing Arts
Languages : en
Pages : 384
View: 4212

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Three acclaimed screenplays from one of today’s most provocative filmmakers, including the Oscar nominated screenplay Far from Heaven. An award-winning auteur and a pioneer of the New Queer Cinema movement, Todd Haynes has achieved both critical acclaim and box office success with his original, intelligent, and often controversial films. Collected here are three of his most celebrated screenplays. Far from Heaven: Winning fifty critics’ prizes and appearing on two hundred Top Ten lists, Far from Heaven was also nominated for four Academy Awards. Inspired by the films of Douglas Sirk, it tells the story of a 1950s housewife who is alienated by her neighbors when she pursues an affair with her African American gardener after learning of her husband’s homosexuality. Safe: Haynes’s breakthrough feature was voted Best Film of the 1990s by the Village Voice Film Critics Poll. It tells the disturbing story of an affluent suburban housewife whose life is shattered by a mysterious illness. One character suggests that perhaps she is “allergic to the twentieth century.” Superstar: The Karen Carpenter Story: Told with a cast of Barbie dolls, this short film about Karen Carpenter’s battle with anorexia was named one of Entertainment Weekly’s Top 50 Cult Movies in 2003. Though the film was ordered destroyed after a lawsuit by the Carpenter estate, it remains an underground classic and “the most talked-about, least-seen film of the ’80s” (The A.V. Club).

Todd Haynes

Todd Haynes PDF
Author: Laura Felschow
Publisher:
ISBN:
Size: 55.45 MB
Format: PDF, ePub, Mobi
Category :
Languages : en
Pages : 58
View: 1307

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In this paper I will analyze Todd Haynes' body of work through the application of Arendt's model of public and private spheres in conjunction with Judith Butler's theories of gender performativity as outlined in Gender Trouble and Bodies That Matter. With Todd Haynes' position at the forefront of queer cinema, his background in feminist theory and the political nature of his films, it is critical to understand what messages he is attempting to convey with his work and how that content fits within or disrupts the overall structures of Arendt's political construction of the public and private. I will investigate how his performative views on sexuality and gender and his seemingly contrary encouragement of strategic essentialism both undermine and support his liberationist aims. Utilizing Arendt's public and private distinctions, as well as performative theory in regards to both speech act and gender, I will be able to delineate how Haynes promotes the move of the private into the public sphere as action necessary for the queer individual to gain authority of their own identities and for the queer community to alter the existing domination of patriarchal heterosexuality in Western society. To do this I will outline the theoretical framework I will be working within and then employ those concepts to complete a close reading of two of Haynes' films, Safe (1995) and Velvet Goldmine (1999).

Slow Movies

Slow Movies PDF
Author: Ira Jaffe
Publisher: Columbia University Press
ISBN: 0231850638
Size: 17.90 MB
Format: PDF, Docs
Category : Performing Arts
Languages : en
Pages : 256
View: 6688

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"In all film there is the desire to capture the motion of life, to refuse immobility," Agnes Varda has noted. But to capture the reality of human experience, cinema must fasten on stillness and inaction as much as motion. Slow Movies investigates movies by acclaimed international directors who in the past three decades have challenged mainstream cinema's reliance on motion and action. More than other realist art cinema, slow movies by Lisandro Alonso, Nuri Bilge Ceylan, Pedro Costa, Jia Zhang-ke, Abbas Kiarostami, Cristian Mungiu, Alexander Sokurov, Bela Tarr, Gus Van Sant and others radically adhere to space-times in which emotion is repressed along with motion; editing and dialogue yield to stasis and contemplation; action surrenders to emptiness if not death.

Queeres Post Cinema

Queeres Post Cinema PDF
Author: Astrid Deuber-Mankowsky
Publisher:
ISBN: 9783941360556
Size: 79.30 MB
Format: PDF
Category :
Languages : de
Pages :
View: 183

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Todd Haynes

Todd Haynes PDF
Author: Todd Haynes
Publisher:
ISBN: 9780822366294
Size: 54.81 MB
Format: PDF, Mobi
Category : Biography & Autobiography
Languages : en
Pages : 221
View: 1936

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With almost two decades of work, from the critically acclaimed low-budget Superstar: The Karen Carpenter Story to Far from Heaven (for which he was nominated for an Academy Award for screenwriting), Todd Haynes has established himself as one of the most important contemporary independent filmmakers in the United States. Often described as provocative, inventive, and groundbreaking, his work is celebrated for inaugurating New Queer Cinema--a term coined in 1992 to describe the emergence of films committed to queer culture. Despite the richness and complexity of Haynes's work--which engages auteurs ranging from Chantal Akerman to Douglas Sirk and theorists from Judith Butler to Michel Foucault--relatively little scholarly work on it has been published. Stepping into this void, Todd Haynes: A Magnificent Obsession offers the first collection of scholarly essays exclusively devoted to Haynes's entire oeuvre. Including critical essays by well-known and emerging scholars in television theory and feminist film, this special issue of Camera Obscura demonstrates Haynes's engagement with history, feminism, queer culture, biography, and a range of artistic practices. In one essay a former professor of Haynes's examines the depiction of women in many of his films, describing how Haynes revisits key questions and themes reminiscent of those invoked in the "woman's film" genre of the 1940s and 1950s. Other essays address the representations of television and film in Far from Heaven, the aesthetics of pirated video copies of Superstar, Velvet Goldmine's representation of the recent past, and the politics of abjection and marginalization in Poison and Safe. Contributors. Laura Christian, Mary Desjardins, Mary Ann Doane, Lucas Hilderbrand, Lynne Joyrich, Edward R. O'Neill, Susan Potter

Fifty Contemporary Film Directors

Fifty Contemporary Film Directors PDF
Author: Yvonne Tasker
Publisher: Routledge
ISBN: 1136919465
Size: 65.87 MB
Format: PDF, ePub, Mobi
Category : Performing Arts
Languages : en
Pages : 496
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This book provides an accessible overview of each director’s contribution to cinema, incorporating a discussion of their career, major works and impact.

Todd Haynes

Todd Haynes PDF
Author: Todd Haynes
Publisher:
ISBN: 9781617039836
Size: 27.25 MB
Format: PDF, ePub, Mobi
Category : Biography & Autobiography
Languages : en
Pages : 238
View: 3791

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Interviews with the director of "Superstar: The Karen Carpenter Story," "Poison," "Velvet Goldmine," "Safe," and "Far from Heaven"

Film Und Musik Als Multimedialer Raum

Film und Musik als multimedialer Raum PDF
Author: Tarek Krohn
Publisher: Schüren Verlag
ISBN: 3741000140
Size: 21.59 MB
Format: PDF
Category : Performing Arts
Languages : de
Pages : 240
View: 2252

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Der Band vereint Artikel, die in ihrer thematischen Offenheit und Verschiedenartigkeit die Weite des Feldes abstecken. Dabei finden viele der zentralen Themen, die seit fünf Jahren in die "Kieler Beiträge zur Filmmusikforschung", das erste deutschsprachige Journal zum Thema, Eingang gefunden haben, Berücksichtigung. Die Beiträge - Ergebnisse verschiedener offener und thematischer Tagungen (z.B. zu Ken Russell, Theorie und Praxis der Filmmusik, Filmmusik und Dramaturgie sowie Symphonischer Musik im Film) - verstehen sich somit auch als eine Art "best of" der noch jungen Tradition der Filmmusikforschung. Aus dem Inhalt: Die Lieder von gestern - Filmmusik und das implizite Imperfekt; Anmerkungen zur Geschichte und Praxis der Stummfilmmusik, Ergötzlich entsetzlich: entstellte Musik im Spielfilm, Musik im Hindifilm zwischen Narration und Reflexion u.v.m.

Postmoderne Dekonstruktion Von Identit T Und Biographie Im Film I M Not There

Postmoderne Dekonstruktion von Identit  t und Biographie im Film  I m Not There  PDF
Author: Christina Keppeler
Publisher: GRIN Verlag
ISBN: 3668302898
Size: 27.25 MB
Format: PDF, ePub
Category : Performing Arts
Languages : de
Pages : 36
View: 3110

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Studienarbeit aus dem Jahr 2015 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Note: 1,0, Universität Passau (Lehrstuhl für Neuere Deutsche Literaturwissenschaft und Mediensemiotik), Veranstaltung: Post-Millennium: Diskurse – Formationen – Tendenzen in Kinonarrationen nach 2000, Sprache: Deutsch, Abstract: Im Kontext der vorliegenden Seminararbeit soll aufgezeigt werden, wie Todd Haynes I’M NOT THERE Biografie und Identität dekonstruiert, welche Ordnungs- und Differenzierungskategorien dabei eine Rolle spielen und worin sich die paradigmatischen Auflösungsmomente und Konventionsbrüche in Bezug auf die Darstellung der Person Bob Dylan letztendlich manifestiert. Zunächst sollen dabei grundlegende Kategorien der Biografieschreibung und die damit zusammenhängende Identitätsgenese beschrieben werden. Unter näherer Betrachtung des Forschungsgegenstandes werden dann identitätsbezogene Dekonstruktionsstrategien im Kontext des postmodernen Films herausgearbeitet und Veränderungen im Darstellungsmodus beschrieben. Mittels konkreter inhaltlicher sowie cinematographischer Szenenanalyse werden dann schließlich die verschiedenen Figurationen bzw. Personenentwürfe nochmals skizziert und die vermittelten Normen und Werte der dargestellten Welt aufgezeigt. Das, was wir im Kino auf einer Leinwand sehen, soll uns überwältigen, Freude bereiten, zu Tränen rühren, aufwühlen oder faszinieren. Wir sollen unser eigenes Innenleben mit dem der Filmfigur in Verbindung setzen können, gemeinsam mit ihr leiden, sie verstehen oder sie verabscheuen. In jedem Fall steht das Gezeigte im inhärenten Zusammenhang zum Individuum und ist als ein wechselseitiges Spiel zwischen filmischer Vision und den Erwartungen, Vorstellungen oder Wünschen des Beobachters zu deuten. Dieser Überwältigungseffekt entsteht im besten Falle durch eine gelungene Illusion, die uns der Film vermittelt: wir sehen und wissen, dass das Gezeigte fiktiv ist, es fühlt sich jedoch real und echt an. Diese Verblendung von Fiktion und Realität ist für das Gelingen eines Filmes entscheidend und tritt besonders hervor, wenn sich der Film auf ein reales Subjekt – einen Menschen, welcher Teil unserer außermedialen Wirklichkeit ist – bezieht.

Existenzphilosophie Und Ethik

Existenzphilosophie und Ethik PDF
Author: Hans Feger
Publisher: Walter de Gruyter
ISBN: 3110331101
Size: 32.86 MB
Format: PDF, ePub
Category : Philosophy
Languages : de
Pages : 562
View: 1229

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Die Frage, ob sich auf existenzphilosophischer Grundlage eine Ethik entwickeln lässt, ist seit jeher umstritten. Die Autoren dieses Bandes widmen sich dem Widerspruch, dass der Existenzphilosophie entweder eine starke Ethikverbundenheit oder eine große Ethikferne zugeschrieben wird. Befragt wurden hierzu die Ansätze Sören Kierkegaards, Heideggers, Karl Jaspers', Jean-Paul Sartres und anderer Autoren der Existenzphilosophie.

Ein Jahrzehnt 2 Perspektiven Kultur Und Literaturwissenschaftlicher Vergleich Zwischen Almod Var Und Haynes

Ein Jahrzehnt   2 Perspektiven  Kultur  und Literaturwissenschaftlicher Vergleich zwischen Almod  var und Haynes PDF
Author: Paul Parszyk
Publisher: GRIN Verlag
ISBN: 3640664531
Size: 25.54 MB
Format: PDF
Category : Performing Arts
Languages : de
Pages : 24
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Wissenschaftlicher Aufsatz aus dem Jahr 2009 im Fachbereich Theaterwissenschaft, Tanz, Note: 2,0 , Universität Erfurt, Sprache: Deutsch, Abstract: Der Radikale Individualismus, vor allem im England der 70er und 80er und die Movida in Spanien der 70er und 80er, beschreiben beide "Befreiungsakte" der Jugend(lichen). Dies zeigt sich auch an zwei ganz unterschiedlichen Werken der Regisseure Pedro Almodóvar (Spanien) und Todd Haynes (England). Dabei sollen kulturelle Zusammenhänge und Parallelen an Hand von Bühnenszenen und den Funktionen von Bühnen aufgezeigt werden. Nebenbei sollen dabei auch noch Begriffe wie Imitation und Theatralität durchleuchtet werden und Zusammenhänge zum Glam-Rock, Camp, Kitsch und Trauma (auch psychologischer Ebene der Figuren)aufgezeigt werden. Schließlich wird sich die Bühne, über ihren Ort als kulturelle Austauschplattform hinaus, als Meta-Ebene offenbaren und noch weitere, überraschende Funktionen, preisgeben.

American Eccentric Cinema

American Eccentric Cinema PDF
Author: Kim Wilkins
Publisher: Bloomsbury Publishing USA
ISBN: 1501336924
Size: 47.64 MB
Format: PDF, ePub
Category : Performing Arts
Languages : en
Pages : 224
View: 825

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Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.